It was a mad dash across all of Iowa and a slice of Illinois and back, but we're home safe. The cats do a kind of celebratory chase thing when we get back after a trip. First, they get underfoot. Then, they launch themselves as fast as their little clawed feet will take them through the house.
4Cs (College Composition and Communication Conference) was a very different animal than AWP (Associated [Writers and] Writing Programs). No little ugrads being trotted around while being told that they're the second coming of (Shakespeare, Stein, Eliot, Plath. . . ). No grad students convinced of their genius but still looking over your shoulder to see whom they should be talking to really. Professors who are harried in their departments ("Novels just aren't research"), don't want to be teaching, and only have a moment to hang out with their old friends. Or to look over the shoulders of the people they're talking to in order to find someone more important or famous to shmooze with.
It's probably not that bad for everyone, but that's my experience with it. I'm not cool, hip, famous, crazy, a hot commodity, or simply hot enough to register as anything but bugfood at AWP. So it becomes kind've ok after a while because I'm so far to the edge that I can hang out with other wallflowers and just observe. And buy books.
Back to 4Cs: First, they've all got jobs. And there's no terrible anxiety about getting jobs. AWP knows that there's too many MFAs in the world and they're all anxious to get jobs. Who gets a PhD in composition? People willing to teach composition. And what do universities need? You see the relative relaxation. Lots of knots of people talking earnestly about how to help students, who believe in students, whose egos are tied up in helping other people. . . Stunning.
Other stunning details: sleeping six to a room at the Palmer House Hilton. Lovely old place. Long talks (when I should have been doing homework) about teaching, cognitivism(s), writing, rhetoric, games, online space. . .
On the way back, we listened to a book on cd: David Bodanis' History of Electricity. One interesting point (talk among yourselves): The tight, spare writing style I tend to associate with Hemingway (and, well, Palahniuk) developed because of the need for international reporters to write that way to save money/time on the cutting edge technology of the telegraph. Our own technology pushes back on our creating. So what do we do with lack of ink, and it's accompanying addition of price to books, on the web? It's not an old question, but I'm interested in how we might reconsider style.
Ok, last shoe to drop: D's panel was fabulous. It led to a lot of conversation about how to "give" papers at a conference, particularly a conference that developed things like pulling desks into a circle and de-emphasizing the centrality of the teacher.
Two quick things: 1. No, songbirds aren't born of telephone wires; debutantes are born of telephone wires. Geez. I thought everyone knew that. 2. 4Cs is in NYC next year.